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Remember Me review – narrow view of two photographic centuries is like a history of food in three ham sarnies
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The Guardian
Remember Me review – narrow view of two photographic centuries is like a history of food in three ham sarnies
Bourse de Commerce, Paris
There are 700 works from François Pinault’s collection on display – more than half of them by Irving Penn – but it’s a blinkered selection and annoyingly didactic
‘Beware … of assuming the sterile attitude of the spectator, for life is not a spectacle” scream the words of Aimé Césaire – writ large and bold by Barbara Kruger, in a giant installation, The History of Tears, that fills Bourse de…
10 Oct, 04:00
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